Prints such as "Graveyard Moon" (#25 from the series '100 Aspects of the Moon'), with its incredible capturing of the dry brushwork in the wooden post she is sitting on, show the absolute master achieved by his carvers. Prints like "Cassia-tree Moon" (#26 from the series '100 Aspects of the Moon'), with the amazing reproduction of the effects of a watery brush, show that the printers had become equally adept.
Many of Yoshitoshi's prints, particularly the later ones, have seals which record the name of the carver. There does not seem to be a print which records the name of a printer, although it is fairly common in later shin hanga prints (e.g. those of the printer Doi).
This page attempts to list all the carvers whom Yoshitoshi worked with, and show good images of their seals. It is currently in a very draft state, and we will be exending it considerably as we get more prints online.
The character numbers, which identify the characters in the seal, are given from:
Andrew N. Nelson, "The Modern Reader's Japanese-English Character Dictionary", Charles E. Tuttle, Rutland, 1974which is a standard Japanese dictionary.
Seal(s) | Name (Romaji) | Name (Kanji) | Reference | Characters | Comments | |
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The seal reads: | |||||
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The seal reads: |
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© Copyright 2009 by J. Noel Chiappa and Jason M. Levine