THE SERIES COLLECTION · KEYES 202
Tales of the Floating World on Eastern Brocade
東錦浮世稿談
Azuma no nishiki ukiyo kōdan
Tsukioka Yoshitoshi · 1867–1868

THE SERIES COLLECTION
TALES OF THE FLOATING WORLD ON EASTERN BROCADE東錦浮世稿談
Hover to view details. Select a print to open its image and description.
鏝抦 半次The second character is usually written 柄 now.VIEW PRINT ↗#1Kotegara Hanji9/1867
向疵 与三 / 蝙 蝠安Kōmori Yasu seems to be a sobriquet, meaning 'Yasu the Bat'. Interestingly, the first character of the name 'Yasu' also means 'bat'!VIEW PRINT ↗#2Mukōkizu Yosa / Kōmori Yasu9/1867
藪原 撿挍Yabuhara KengyōVIEW PRINT ↗#3Yabuhara Kengyō9/1867
畔倉 十四郎 / 火の玉 乃 三五郎Azekura Jūshirō / Hinodama no SangorōVIEW PRINT ↗#4Azekura Jūshirō / Hinodama no Sangorō9/1867
曲木 平九郎Magaki HeikurōVIEW PRINT ↗#5Magaki Heikurō9/1867
祐天 沙弥Fudō Myōō, one of the five great deities, threatening the young priest Yūten Shami (1637-1718)VIEW PRINT ↗#6Yūten Shami9/1867
日本 駝右衛門 / 黒馬 權正Nihon Daemon / Kuroma GonpeiVIEW PRINT ↗#7Nihon Daemon / Kuroma Gonpei9/1867
荒木 政石衛門 / 竹之内 鬼玄丹The famous swordsman Araki Masaemon, of the Igagoye revenge story, attacking Takenouchi Gentan with a small knifeVIEW PRINT ↗#8Araki Masaemon / Takenouchi Gentan9/1867
滝貝山 大八 / 桂川 力藏?Takamiyama Daihachi / Katsuragawa RikizōVIEW PRINT ↗#9Takamiyama Daihachi / Katsuragawa Rikizō9/1867
關口 弥太郎Sekiguchi Yatarō, a companion of Miyamoto Musashi, facing two wolves in the Hakone mountainsVIEW PRINT ↗#10Sekiguchi Yatarō9/1867
蜀順正侯 趙雲Chōun, one of the heroes of the wars of the Three Kingdoms, riding his horse through smoke in order to rescue the infant Ato. Chōun seems to be an alternative name for Zhao Yun.VIEW PRINT ↗#11Shoku Junsei Kō Chōun9/1867
幡随院 長兵衞The wounded chief of the Edo otokodate Banzuin Chōbei (mid-seventeenth century) drinking water in a bathhouse, where he is to be treacherously murdered by Mizunō Jūrōzaemon.VIEW PRINT ↗#12Banzuin Chōbei10/1867
若嶋 權右工門Wakashima Gonemon is searching in a whirlpool at the bottom of the Sumida river for an ancient dragon-headed bell (the bell is out of view at the left bottom corner, at the intersection of the two beams of light). The Water Dragon God was unwilling to part with it, and the rope that Gonemon took down to use to haul it up broke, and the bell is still there on the bottom.VIEW PRINT ↗#13Wakashima Gonemon11/1867
伊東 與惣太While on guard in the house of his lord during the night, the samurai Itō Yosōta has just stabbed himself in his right thigh to keep himself awake; over his shoulder, a giant spectral cat watches. The simplified character 臾 is now often used.VIEW PRINT ↗#14Itō Yosōta11/1867
?? 山伏 雛丸 圓海 / 塚原 卜傳Tsukahara Bokuden duels with the yamabushi Hinamaru Enkai. The second name is usually written with the character 伝 now.VIEW PRINT ↗#15yamabushi Hinamaru Enkai / Tsukahara Bokuden11/1867
僧 傳達The priest DentetsuVIEW PRINT ↗#16sō Dentetsu1/1868
Satō Samanosuke Yoshiaki running by a green post, an explosion just above his headVIEW PRINT ↗#17Satō Samanosuke Yoshiaki running by a green post, an explosion just above his head1/1868
The monkey Songoku battling Rasetsunyo (a wicked female magician)VIEW PRINT ↗#18The monkey Songoku battling Rasetsunyo (a wicked female magician)1/1868
Mitsuma Daita kneeling by peoniesVIEW PRINT ↗#19Mitsuma Daita kneeling by peonies2/1868
Asabe Bungonosuke Sadaaki riding his horse through waterVIEW PRINT ↗#20Asabe Bungonosuke Sadaaki riding his horse through water2/1868
Hakoōmaru (the childhood name of Soga no Gorō Tokimune) and Yawata no Shichirō by a waterfallVIEW PRINT ↗#21Hakoōmaru (the childhood name of Soga no Gorō Tokimune) and Yawata no Shichirō by a waterfall1867 - 1868
Kimura Matazō holding a yari (straight-headed spear), looking at an army in tne distanceVIEW PRINT ↗#22Kimura Matazō holding a yari (straight-headed spear), looking at an army in tne distance1867 - 1868
The pirate Gonzō with revolver on a shipVIEW PRINT ↗#23The pirate Gonzō with revolver on a shipUndated
Araki Masaemon with the severed head of an opponent at his feetVIEW PRINT ↗#24Araki Masaemon with the severed head of an opponent at his feet9/1867
Osasahara Masao no Tsubone (Lady Masao from Osasahara) between curling snakesVIEW PRINT ↗#25Osasahara Masao no Tsubone (Lady Masao from Osasahara) between curling snakes11/1867
Kunisada Chūji, a famous "knight of tne town", being presented with a severed headVIEW PRINT ↗#26Kunisada Chūji, a famous "knight of tne town", being presented with a severed head9/1867
Uwabami Ohashi(?) killing Isokawa GunjurōVIEW PRINT ↗#27Uwabami Ohashi(?) killing Isokawa Gunjurō1868
The demon Omatsu crossing a riverVIEW PRINT ↗#28The demon Omatsu crossing a river?
Nikki Danjo Naonori attempting an assassinationVIEW PRINT ↗#29Nikki Danjo Naonori attempting an assassination1866
Musashibō Benkei reads a scroll to Togashinosuke IenaoVIEW PRINT ↗#30Musashibō Benkei reads a scroll to Togashinosuke Ienao1868/3
Musashibō Benkei reads a scroll to Togashinosuke IenaoVIEW PRINT ↗#30 (alternative state)Musashibō Benkei reads a scroll to Togashinosuke Ienao (alternative state)1868/3
Sasaki Shiro Takatsuna and Kajiwara Genda Kagesue on horsebackVIEW PRINT ↗#31Sasaki Shiro Takatsuna and Kajiwara Genda Kagesue on horseback?
Shima Ukon Tomoyuki and Saito Yohachiro RikanVIEW PRINT ↗#32Shima Ukon Tomoyuki and Saito Yohachiro Rikan?
Ishikawa Monya jumping over a cliff, a sword between his teethVIEW PRINT ↗#33Ishikawa Monya jumping over a cliff, a sword between his teeth?
Sano Genzaemon Tsuneyo and Saimyoji Tokoyori in snowVIEW PRINT ↗#34Sano Genzaemon Tsuneyo and Saimyoji Tokoyori in snow?
Suzuki Shusui wrings water from robe after escaping across riverVIEW PRINT ↗#35Suzuki Shusui wrings water from robe after escaping across river?
Oboshi Yuranosuke in moonlight (?)VIEW PRINT ↗#36Oboshi Yuranosuke in moonlight (?)?
Iwami Jutaro breaking through a fenceVIEW PRINT ↗#37Iwami Jutaro breaking through a fence1867/4
The legendary swordsman, Miyamoto Musashi aka Bennosuke, training a studentVIEW PRINT ↗#38The legendary swordsman, Miyamoto Musashi aka Bennosuke, training a student?
Asakura Tomigoro ducking under a curtainVIEW PRINT ↗#39Asakura Tomigoro ducking under a curtain1867/10
Uesugi Kanenobu on horsebackVIEW PRINT ↗#40Uesugi Kanenobu on horseback?
Kumakichi confronts his sister, the Geisha OtakeVIEW PRINT ↗#41Kumakichi confronts his sister, the Geisha Otake1867/10
Tabakoya Kihachi kneelingVIEW PRINT ↗#42Tabakoya Kihachi kneeling?
Nakaura Kokichi (?Tokichi) Takayoshi (?Azumayoshi) wading through a stream, holding a severed head.VIEW PRINT ↗#43Nakaura Kokichi (?Tokichi) Takayoshi (?Azumayoshi) wading through a stream, holding a severed head.?
Nakano Sozaburō (or possibly Nakano Chōbee - the reading of this name is still uncertain).VIEW PRINT ↗#44Nakano Sozaburō (or possibly Nakano Chōbee - the reading of this name is still uncertain).10/1867
十時 源右工門Toki GenuemonVIEW PRINT ↗#45Toki Genuemon2/1868
荏柄 平太 胤長Egara no Heita Tanenaga is a sobriquet for Wada Heita Tanenaga (和田 平太 胤長); it is apparently derived from the location of his mansion in the residential district of Kamakura near Egara Tenjin Shrine (荏柄 天神社). Egara no Heita was the nephew of Wada Yoshimori (head of the Wada clan). In 1213, tension had been growing between the Hōjō Regents and the Wada clan, and open war started when Tanenaga and Yoshimori's two sons were arrested. Yoshimori managed to free his sons, but Tanenaga was detained, and exiled to Mutsu province. This image probably dates from that period (the full cartouche has not yet been read).VIEW PRINT ↗#46Egara [no] Heita TanenagaPrints 1–27 follow the source page’s Keyes / Beauty and Violence convention; later entries retain the existing extensions. The prints themselves are unnumbered.
About the Series
This page attempts to catalog all known prints in
Yoshitoshi's series 'Azumo no Nishiki Ukiyo Kōdan (東 錦 浮世 稿談 - Tales of the Floating World on Eastern Brocade)'.It dates from relatively early in Yoshitoshi's career, when he was about twenty-eight, almost two decades before his well-known masterpieces such as his great series "One Hundred Aspects of the Moon" (1885-1892), and "New Forms of Thirty-Six Ghosts" (often called simply "Thirty-Six Ghosts") (1889-1892).
The series contains popular stories (kōdon) of drama and violence by various story tellers, as retold by Kanagaki Robun ( 假名垣 魯文, although the name is now often written with the simplified first character 仮; 1829-1894), a native of Edo who was a writer of humorous and satirical fiction. His focus on the the contortions of Japanese society as it modernized in the Meiji period was likely a bond with Yoshitoshi, who was also interested in the challenges to Japanse society during this turbulent period.
The red cartouche in the upper corner contains the series title at the top, and at the bottom (according to Keyes), "[t]he name[] of the story teller". (We are in the process of reading all these names, and much progress has been made, but finalizing the readings, and adding the information to this page, will be left until other higher-priority tasks on the site are completed. One complicating factor is that black characters do not reproduce well against a red background in images, so high-quality images are needed before these names can be read.)
The row of characters along the left-hand edge of the main cartouche reads "tenshi Kanagaki Robun ki" ("tenshi" - roughly 'inserted text' - 塡詞 and "ki" - 'scribe' - 記 respectively), or approximately 'text written by Kanagaki Robun'.
Cartouches within the ground identify the individuals who are shown. The prints in this series do not have titles per se, and are usually identified by the names of the individuals shown. Some prints have more than one identification cartouche; in such cases, both are given in the individual print entries below.
Publication details
- Dates: 1867 (9) - 1868 (2)
- Size: Ōban
- Signed: Ikkaisai Yoshitoshi hitsu
- Seal: Kiri
- Publishers: Various
- Masudaya Ginjirō
- Ōmiya Kyūsuke
- Sanoya Tomigorō
- Sekiguchi Gyokumeidō
- Yamashirō-ya Jinbei (Yamajin)
- Block carvers: Hōriki Ei Katada Chō, Hōriko Fusajirō, Hōriko Hatsu
Catalogue references and numbering
Prints 1–27 follow the source page’s Keyes / Beauty and Violence convention; later entries retain the existing extensions. The prints themselves are unnumbered.
One of the first attempts to enumerate this series was in Keyes' thesis:
Roger. S. Keyes, "Courage and Silence: A Study of the Life and Color Woodblock Prints of Tsukioka Yoshitoshi 1839-1892", Cinncinnati, 1982where it appears as series #202; he listed 23 prints in the series. The next listing was in:
Eric van den Ing, Robert Schaap, "Beauty and Violence: Japanese Prints by Yoshitoshi 1839-1892", Havilland, Eindhoven, 1992where it appears as series #20 (pp. 105-107); they listed a further 4 prints (using Keyes' reference numbers for the first 23), making 27 in total. We have discovered an additional 19 prints so far, making 46 prints in all at the moment.
We use the Keyes/B+V numbers for the first 27, and have numbered the rest in the order in which we discovered them; the prints in the series do not appear to have any numbers on them.
This page (and list) is not necessarily complete; there may be yet be other prints for which we have not yet found an image. If you know of any prints from this series which aren't listed here, or have either i) information about any errors on the page, ii) better images than the ones below, or iii) missing information about individual prints (e.g. publisher, exact date, and especially the reading of any text which is not read out here), please let us know.
Also, better images of the following prints: #7, #15 would also be most useful. Of these, #15 is probably the most-needed.