THE SERIES COLLECTION · KEYES 425
Moral Lessons through Pictures of Good and Evil
教訓善悪図解
Kyōkun zenaku zukai
Tsukioka Yoshitoshi · 1880

THE SERIES COLLECTION
MORAL LESSONS THROUGH PICTURES OF GOOD AND EVIL教訓善悪図解
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A dignified nobleman in western dressVIEW PRINT ↗#01A dignified nobleman in western dress2/1880
A dissolute nobleman drinking with geisha.VIEW PRINT ↗#02A dissolute nobleman drinking with geisha.2/1880
Students pursuing their studies.VIEW PRINT ↗#03Students pursuing their studies.2/1880
Students neglecting their studies.VIEW PRINT ↗#04Students neglecting their studies.2/1880
A servant who serves her master well sewing by lamp.VIEW PRINT ↗#05A servant who serves her master well sewing by lamp.2/1880
Servants slandering their master by a well.VIEW PRINT ↗#06Servants slandering their master by a well.2/1880
A filial daughter minding a kettle.VIEW PRINT ↗#07A filial daughter minding a kettle.2/1880
An unfilial daughter eloping.VIEW PRINT ↗#08An unfilial daughter eloping.2/1880
A son who brings great success to his family recoking accounts.VIEW PRINT ↗#09A son who brings great success to his family recoking accounts.2/1880
A son who loses his family's wealth in a brothel.VIEW PRINT ↗#10A son who loses his family's wealth in a brothel.2/1880
An honest prostitute seated in a rickshaw.VIEW PRINT ↗#11An honest prostitute seated in a rickshaw.2/1880
An unscrupulous prostitute with a client.VIEW PRINT ↗#12An unscrupulous prostitute with a client.2/1880
Apprentices who follow their master's advice working by lamplight.VIEW PRINT ↗#13Apprentices who follow their master's advice working by lamplight.2/1880
Apprentices who do not regard their master's care at a streetstall.VIEW PRINT ↗#14Apprentices who do not regard their master's care at a streetstall.2/1880
A geisha who does her work well leaving a client.VIEW PRINT ↗#15A geisha who does her work well leaving a client.2/1880
A fickle geisha staying on with a client.VIEW PRINT ↗#16A fickle geisha staying on with a client.2/1880
A wife who serves her husband well offering tea.VIEW PRINT ↗#17A wife who serves her husband well offering tea.2/1880
A wife who contradicts her husband being beaten.VIEW PRINT ↗#18A wife who contradicts her husband being beaten.2/1880
A priest who guides people in the path of virtue exhorting an audience.VIEW PRINT ↗#19A priest who guides people in the path of virtue exhorting an audience.2/1880
A priest who destroys the Buddhist path seducing a woman.VIEW PRINT ↗#20A priest who destroys the Buddhist path seducing a woman.2/1880
A considerate wife: couple preparing for bed.VIEW PRINT ↗#21A considerate wife: couple preparing for bed.11/1880
A crafty wife: mother-in-law scolding husband.VIEW PRINT ↗#22A crafty wife: mother-in-law scolding husband.11/1880
A stable-minded father: couple eating with father.VIEW PRINT ↗#23A stable-minded father: couple eating with father.11/1880
A strangely-inclined father: old man tugging girl's sleeve.VIEW PRINT ↗#24A strangely-inclined father: old man tugging girl's sleeve.11/1880
Good students: boys writing before teacher.VIEW PRINT ↗#25Good students: boys writing before teacher.11/1880
A bad boy: mother striking roped boy.VIEW PRINT ↗#26A bad boy: mother striking roped boy.11/1880
An honest rickshaw driver.VIEW PRINT ↗#27An honest rickshaw driver.11/1880
A bad-mannered rickshaw driver.VIEW PRINT ↗#28A bad-mannered rickshaw driver.11/1880
A friendly, dutiful wet nurse.VIEW PRINT ↗#29A friendly, dutiful wet nurse.11/1880
A dissolute, unreliable wet nurse.VIEW PRINT ↗#30A dissolute, unreliable wet nurse.11/1880
A bride who follows the woman's path: woman massaging her husband.VIEW PRINT ↗#31A bride who follows the woman's path: woman massaging her husband.11/1880
A bride who avoids the woman's path: husband surprises wife with boy.VIEW PRINT ↗#32A bride who avoids the woman's path: husband surprises wife with boy.11/1880
A foreman who helps employees: discussion by brazier.VIEW PRINT ↗#33A foreman who helps employees: discussion by brazier.11/1880
A wicked foreman ordering employees.VIEW PRINT ↗#34A wicked foreman ordering employees.11/1880
High-class actors in western and traditional dress.VIEW PRINT ↗#35High-class actors in western and traditional dress.11/1880
Low-class actor with woman on veranda.VIEW PRINT ↗#36Low-class actor with woman on veranda.11/1880
A doctor who helps people with their lives taking a woman's pulse.VIEW PRINT ↗#37A doctor who helps people with their lives taking a woman's pulse.11/1880
A doctor who destroys lives driven from a household.VIEW PRINT ↗#38A doctor who destroys lives driven from a household.11/1880
Industrious carpenters.VIEW PRINT ↗#39Industrious carpenters.11/1880
Stubborn laborers in street fight.VIEW PRINT ↗#40Stubborn laborers in street fight.11/1880Print numbers retain the original page’s catalogue order and numbering. The original catalogue references are preserved below.
About the Series
教訓善悪圖解
This is a series of caricatures drawn by Yoshitoshi that illlustrate lessons in morality . There were originally issued as paired chūban prints which are, these days, commonly found separate. The chūban pairs illustrate a "good" example of behavior, followed by a "bad" example. It is interesting that many of these examples are still quite valid in our society today. This is one of a number of large chūban series that Yoshitoshi created in this timeframe. The small figures with the globe heads dancing around these prints represent good and evil, and are often seen in ukiyoe prints.
Publication details
- Dates: 1880 (2,11)
- Size: Chūban
- Signed: Yoshitoshi (also, Yonejiro Tsukioka in margin)
- Seal:
- Publishers: Tsunashima
- Engravers:
Catalogue references and numbering
Print numbers retain the original page’s catalogue order and numbering. The original catalogue references are preserved below.
Listed in Keyes' thesis:Roger. S. Keyes, "Courage and Silence: A Study of the Life and Color Woodblock Prints of Tsukioka Yoshitoshi 1839-1892", Cinncinnati, 1982where it appears as series #425;
We use the Keyes numbers to order the prints below. Please let us know if you can provide a missing image.